Episode 123 – Vauxdvihl 1994-2001: Exhumation Party

Episode 123 – Vauxdvihl 1994-2001: Exhumation Party

Radical Research Podcast
Radical Research Podcast
Episode 123 - Vauxdvihl 1994-2001: Exhumation Party
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Australia’s Vauxdvihl (or, for a short time, Vaudeville) came quickly, evolved swiftly, and left behind a beautiful corpus of 19 documented songs. We have stood in awe for three decades of this short but impressive discography, and episode 123 of our weird little podcast is an attempt to bring you into the Vauxdvihl fold. (Beware of the ridiculous amount of Fates Warning mentions here…or make a drinking game of it.)

Note I:

The Radical Research Patreon page is now set up and ready for your patronage. We are offering tiered subscription levels for those who want a set-it-and-forget-it donation option. As ever, if you choose to support us, we are humbled and grateful! patreon.com/RadicalResearchPodcast

Note II:

All past Radical Research episodes can be found here, where you can also find Jeff’s Peter Steele and Fates Warning books…and more to come soon! Radicalresearch.org

Music cited in order of appearance:

Intro: “Summoning” (Siberian Church Recordings, 2001)

“To Dimension Logic” (To Dimension Logic, 1994)

“Questions or Misanthropy” (To Dimension Logic, 1994)

“Separate Ends” (To Dimension Logic, 1994)

“Comedy of Errors” (To Dimension Logic, 1994)

“Philosophia Mosaica” (To Dimension Logic, 1994)

“In Search of Forever” (To Dimension Logic, 1994)

“Assassination” (Vog, 1998)

“The Funeral Party” (Vog, 1998)

“For the Son Has Gone to Hell” (Vog, 1998)

“Plots, (T or F) Are a Necessary Thing?” (Siberian Church Recordings, 2001)

“Isis/Pekt” (Siberian Church Recordings, 2001)

“Movement” (Siberian Church Recordings, 2001) 

Radical Research is a conversation about the inner- and outer-reaches of rock and metal music. This podcast is conceived and conducted by Jeff Wagner and Hunter Ginn. Though we consume music in a variety of ways, we give particular privilege to the immersive, full-album listening experience. Likewise, we believe that tangible music formats help provide the richest, most rewarding immersions and that music, artwork, and song titles cooperate to produce a singular effect on the listener. Great music is worth more than we ever pay for it.