28 Jan Episode 107 – The Saturnine Sleep: Tiamat’s A Deeper Kind of Slumber
For a podcast that traffics in all things wild and mind-expanding, the subject of our 107th episode makes everything else feel stone-cold sober by comparison. The fifth album by Sweden’s Tiamat, A Deeper Kind of Slumber, luxuriates in the wan, reclined possibilities of Leary biscuits and Psilocybin dreams. This episode paddles along the hallucinatory waters of Tiamat’s final masterpiece and resolves itself to the album’s irreconcilable mysteries.
Note I:
The Radical Research Patreon page is now set up and ready for your patronage. We offer tiered subscription levels for those who want a set-it-and-forget-it donation option. As ever, if you choose to support us, we are humbled and grateful! patreon.com/RadicalResearchPodcast
Note II:
Please consider donating if you listen to Radical Research often: https://www.paypal.me/rrpodcast
We also have a webstore where you can find shirts, CDs, and books, many of them recently restocked:
http://radicalresearch.org/shop/
Music cited in order of appearance:
Intro: “The Ar” (Wildhoney, 1994)
“The Southernmost Voyage” (The Astral Sleep, 1991)
“A Caress of Stars” (Clouds, 1992)
“Do You Dream of Me?” (Wildhoney, 1994)
“Cold Seed” (A Deeper Kind of Slumber, 1997)
“Teonanacatl” (A Deeper Kind of Slumber, 1997)
“Trillion Zillion Centipedes” (A Deeper Kind of Slumber, 1997)
‘The Desolate One” (A Deeper Kind of Slumber, 1997)
“Atlantis as a Lover” (A Deeper Kind of Slumber, 1997)
“Alteration X 10” (A Deeper Kind of Slumber, 1997)
“Four Leary Biscuits” (A Deeper Kind of Slumber, 1997)
“Only In My Tears It Lasts” (A Deeper Kind of Slumber, 1997)
“The Whores of Babylon” (A Deeper Kind of Slumber, 1997)
“Kite” (A Deeper Kind of Slumber, 1997)
“Phantasma De Luxe” (A Deeper Kind of Slumber, 1997)
“Mount Marilyn” (A Deeper Kind of Slumber, 1997)
“A Deeper Kind of Slumber” (A Deeper Kind of Slumber, 1997)
Radical Research is a conversation about the inner- and outer-reaches of rock and metal music. This podcast is conceived and conducted by Jeff Wagner and Hunter Ginn. Though we consume music in a variety of ways, we give particular privilege to the immersive, full-album listening experience. Likewise, we believe that tangible music formats help provide the richest, most rewarding immersions and that music, artwork, and song titles cooperate to produce a singular effect on the listener. Great music is worth more than we ever pay for it.